C/Y lenses on Canon EOS cameras

Although the use of old Contax / Yashica lenses on Canon EOS bodies is relatively common, some exotic combinations of lenses and bodies are little documented. I have now had some experience adapting these lenses and I can report the results, unfortunately not enthusiastically.

Camera Lens Result: mirror Result: meter
EOS 5 Carl Zeiss Tessar 45/2.8 hits the lens off about 1-1.5 EV
EOS 5 Carl Zeiss Sonnar 135/2.8 hits the lens off about 1-1.5 EV
EOS 1n Carl Zeiss Tessar 45/2.8 hits the lens OK
EOS 1n Carl Zeiss Sonnar 135/2.8 clear OK

By the way, the EOS 5 has the undeniable advantage of a very silent operation over EOS 1n. Besides this, the 1n is clearly a better camera.

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Fuji Pro160C

Differently from the Ektar 100, that produces fantastic colours without any intervention with Photoshop, I totally dislike the Fujifilm Pro160C – that I have used for this edited photo of the Fire Brigade station in Darlington. Yet, I have seen around on the internet really nice pictures taken with this film. I suspect that it is perhaps the rendition of the Nikon Coolscan that, somehow, is a perfect match for the Ektar but produces greenish tones for the 160C. Surely the lower saturation is expected, but the hues needed much correction, as usual, to obtain the vivid and warm colours that I expected from this scene.

I got very similar experience, in the past, with the Pro160S, so I cannot really think of an isolated case.

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Road signs – Cartelli stradali

A new gallery dedicated to one of my favourite, colourful, urban subjects:

Road signs

shot with a variety of tools, digital and film, prime and zoom lenses.

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Ektar colour palette

These photos (taken at the last Durham food fair) show, photographically speaking:

  • that there is no substitute to Ektar for such colours (not touched in Photoshop)
  • that there is no substitute to the EF 70-200 IS f/4 to shoot indoor

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Uphill roads: Crossgate

Uphill roads are very convenient for photographing architecture because they allow the photographer’s eye to be level with the centre of the buildings’ facades and ensure a correct perspective.

Perhaps this is one of the reasons I really like Crossgate in Durham. Crossgate goes downhill towards the city centre. Only minor perspective correction was applied in photoshop to the following two pictures.

The two buildings depicted were actually adjacent from the adopted point of view. The photos were taken with a Nikon D40 together with the zoom kit lens 18-55mm.

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Some photos from 2011

In the year 2011 I have shot with a few cameras and placed my pictures in several places all over the web (flickr, iStock, my galleries here, etc.). I will try now to pick a few ones and put them in one place – here – trying to call them into categories (photos made with a certain camera, o a certain lens, or for a certain purpose – stock, leisure – or technology – digital, film). No, they are not the best ones , but hopefully they are representative enough of what I liked to shoot. Continue reading

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Troppo semplice per chiamarla ricetta, ma buona: fregola e piselli

I cut longitudinal strips of leeks and I made them curly and brown in some oil in my safepan. I replaced the leeks with frozen peas; added some water, waited for them to boil a couple of minutes, added salt, then fregola, that I cooked like a risotto, adding hot water little by little. When ready, I topped it with the leeks that I had stored in a plate.

York rooftopsPity that fregola is not easily available in England. The one I used came from Little Italy in York, a very nice place where to buy food and eat at the table.

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Short extension tubes

Shredded debit cardDurham, England - December 7, 2011: A Visa debit card provided by HSBC (Hong-Kong Shangai Bank of China) in England is being cut (destroyed) with scissors after its expiration date. Number and signature are not fully identifiable.

The first instinct when buying extension tubes is “the longer, the better” because a longer extensions allows a bigger magnification.

However, not all images require large magnification.

I shot these two photos with two Nikkors, the 20/3.5 UD AI and the 50/1.2 AI-S on a Sony NEX-5.

The theory says that if I extend a 20mm focal-length lens with a 20mm tube, I can obtain a reproduction ratio of 1:1. In order to achieve this, though, a 20mm designed for reflex cameras, that is with a retrofocus optical scheme, would need to have the subject too close: actually, inside the lens itself.

I used a Nikon PK-11A that provides an extension of just 8mm. This allowed a dramatic perspective when mounted on the 20mm, and a moderate close-up (my hand rather than my fingernail!) with the 50mm.

The images are on sale on iStock.

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Street photography on iStock

Fuji S3 and Nikon 28/2.8 AF

I have a small (growing?) collection of street photography images on iStock. What is street photography? Certainly not reportage! S.p. features people, photographed in candid (un-staged, unexpected) situations, in the streets and public places. Difficult to define in words, but easy to recognize.

iStockphoto is not the place where you would look for these images, but I managed to place a few there.

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from my flickr

  • When the game gets tough

    Shade-of-Light posted a photo:

    When the game gets tough

    When the game gets tough, the businessman gets tough!

    In a couple of days I must make a small trip…

    Sony NEX-5, Nikkor AI-S 50/1.2, tilted

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