An imperfect landscape calls for a Photoshop perfection. I had fun reshaping the light to my taste. Numbered from 1 to 8, I illustrate below the passages from the first unedited capture to my final version. I used a Sony NEX-5 with a Contax/Yashica Carl Zeiss Tessar 45/2.8 mounted on a Manfrotto table tripod that was resting on the roof of my car.
