There must be a reason…

…to endure this shitty weather.

Like Woody Allen once said about shooting in London, a dark grey sky makes an easy background.

Spaces available at the car park, Durham station - Contax 139, Neopan 1600, Tessar 45/2.8

Also available on iStock for sale.

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Autofocus for macro

Who says that autofocus is not for macro shots? Well, many, and usually it holds true. Not if the object does not stay that still… like a Post-It in the air.

Solution: Fuji S3, Nikkor AF-D 50/1.4, B+W close-up lens, and continuous autofocus.

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Posh dumbbells

It isn’t the kind of stock photography you would normally think of. In fact, probably it is not stock photography at all.

Gym dumbbells should look something like this. But I had to use my new muslin background, so I just placed them on a white chair, not too wide, and played with the perspective using a Nikkor UD 20/3.5 on my Fuji S3.

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Somebody left the milk out of the window…

…at the castle. Yes, it was very cold today in Durham. And the Sony NEX-5, with the Tamron SP 90/2.5 and the Manfrotto 709B, spotted it very well.

This Manfrotto is fantastic. I am not someone who carries heavy stuff with him (why would otherwise use a NEX?), and in fact I can leave this sturdy metallic tripod attached under the camera hanging at my neck. Placing the tripod on the ground, when it is needed, is not trouble thanks to the swinging display of the NEX.

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Sony NEX-5 usage follow-up

The nicest addition to my NEX-5 has been one of the many Novoflex adapters, in particular the one to use Contax/Yashica lenses. The Tessar 45/2.8 pancake, silver edition, looks as if it had been designed for the NEX itself. The Sonnar 135/2.8 is long, very long, but falls in the hand beautifully. The Tamron SP 90/2.5 Adaptall is a great lens, supersharp, however not fully optimised for digital, in such in some light conditions and at medium and small apertures, a purple image of the diaphragm is projected in the centre of the sensor.

Overall, I am super-satisfied with the camera. It is the first time I can use my three lenses above with a vertical viewfinder, Rollei-style.

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Short review of Sony NEX-5


The first picture I took with my new NEX-5

First thing first: I prefer a Contax 139, or a Nikon FM2, to the Sony NEX-5. But this comparison would be too much heterogeneous: the NEX is a digital camera. As such, the NEX is a great camera, and I think that disparaging it mostly comes from a psychological embarrassment of the kind “too small, not big enough”.

The camera has many features that only a few years ago were only present in some very fine cameras, if not professional, and even today are rare:

  • easily selectable metering mode (zonal, center-weighted, spot);
  • optional vertical viewfinder (just like a Rolleiflex), just by tilting the display;
  • accepting a huge range of fine lenses (Contax, Nikon, Canon, Leica, Sony Zeiss!), by means of common adapters;
  • the viewfinder shows 100% of the final image;
  • depth of focus preview (a dedicated button is not even necessary: the display always shows a stopped-down through-the-lens image, with corrected brightness for easy viewing).

For street photography, the NEX is even better of Leica Ms, being absolutely non-obtrusive.

I like my NEX!


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Facade

Dream Oasis, hairdresser for ladies, photographed mid-2010 in Durham.

That’s how businesses are like in England. They take great care of design (brochures, website, logos, graphics). As far as the content… cutting hair, anybody? Service, commitment to a profession? Knowing what is being done? Looking good, looking bad? A hair-style is not a typeface, alas.

Bronica SQ-A, PS 80/2.8

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Self-portrait with pets

Darkness, snow, cold. This is the result.

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Mad concepts

I have finally gathered here all my mad studio shots. With minimal exceptions, my Fuji S3 helped me with them.

They are available on iStock.

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Gained in translation

I wondered why all the English press translated Angela Merkel’s words (“gescheitert, absolut gescheitert“) into this utterly sounding sentence. Then, I got my answer:

it’s called association of ideas.

Yet, the original words would be so actual and present for the English, too. Perhaps, too present:

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