Engineering does not exist

It might be tempting to say that if something cannot be defined, then it does not exist. Better, perhaps, that the absence of this something from what people say or write means its non-existence, or its non-relevance to daily life.
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Engineering is relevant to the daily life of everybody: everyday we use some Engineering product. The fact is so obvious that no examples are necessary here.
On the other hand, is Engineering something we are aware of, we discuss, we write of? Is it consciously present? Is it immanent between us?
“Engineering”: try and see if there is such headline in any news site. No, there is not. “World”, “Politics”, “Sport”, “Entertainment”, “Technology”, “Science” are the most common news sections. One would think that Technology, or Science, or both should encompass Engineering: well, one should think again. The News, the Web, nowadays, say that technology is personal computers, phones, tablets, telecoms, even search engines and algorithms. Science, on the other hand, implies and supposes “natural sciences”: astronomy, environment, biology, medicine. Where is Engineering? Engineering is absent from the web that normal people read.

The news world is not everything nor everybody. A substantial slice of the web is, democratically, filled by common people describing their interests: blog, photo-blogs, tweets, and so on. You will easily find your favourite blog written about (or by) your favourite graphic designer. The weirdest hobby will find its space between the most common, and uncommon, professions. You may choose to be up to date with any topic ranging from style to politics, from geography to food, from tourism to aviation. Do not dare, however, to go and look for Engineers. It seems that Engineers do not exist, or if they exist they do not write, or if they write, they write of something else. They hide, they fake, they are silent.
I am not an exception. I am an Engineer but I write not of it. I am a photographer too, and I write of it, of course. “Cogito ergo sum” or, rather, “Scribo ergo sum”. Engineers do not write, nor anybody write about them. Engineers do not exist.


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Behind the scenes of a hanging

Well, hanging without a bar to hang from is hard.

Fuji S3, Nikkor AF-D 50/1.4

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There must be a reason…

…to endure this shitty weather.

Like Woody Allen once said about shooting in London, a dark grey sky makes an easy background.

Spaces available at the car park, Durham station - Contax 139, Neopan 1600, Tessar 45/2.8

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Autofocus for macro

Who says that autofocus is not for macro shots? Well, many, and usually it holds true. Not if the object does not stay that still… like a Post-It in the air.

Solution: Fuji S3, Nikkor AF-D 50/1.4, B+W close-up lens, and continuous autofocus.

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Posh dumbbells

It isn’t the kind of stock photography you would normally think of. In fact, probably it is not stock photography at all.

Gym dumbbells should look something like this. But I had to use my new muslin background, so I just placed them on a white chair, not too wide, and played with the perspective using a Nikkor UD 20/3.5 on my Fuji S3.

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Somebody left the milk out of the window…

…at the castle. Yes, it was very cold today in Durham. And the Sony NEX-5, with the Tamron SP 90/2.5 and the Manfrotto 709B, spotted it very well.

This Manfrotto is fantastic. I am not someone who carries heavy stuff with him (why would otherwise use a NEX?), and in fact I can leave this sturdy metallic tripod attached under the camera hanging at my neck. Placing the tripod on the ground, when it is needed, is not trouble thanks to the swinging display of the NEX.

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Sony NEX-5 usage follow-up

The nicest addition to my NEX-5 has been one of the many Novoflex adapters, in particular the one to use Contax/Yashica lenses. The Tessar 45/2.8 pancake, silver edition, looks as if it had been designed for the NEX itself. The Sonnar 135/2.8 is long, very long, but falls in the hand beautifully. The Tamron SP 90/2.5 Adaptall is a great lens, supersharp, however not fully optimised for digital, in such in some light conditions and at medium and small apertures, a purple image of the diaphragm is projected in the centre of the sensor.

Overall, I am super-satisfied with the camera. It is the first time I can use my three lenses above with a vertical viewfinder, Rollei-style.

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Short review of Sony NEX-5


The first picture I took with my new NEX-5

First thing first: I prefer a Contax 139, or a Nikon FM2, to the Sony NEX-5. But this comparison would be too much heterogeneous: the NEX is a digital camera. As such, the NEX is a great camera, and I think that disparaging it mostly comes from a psychological embarrassment of the kind “too small, not big enough”.

The camera has many features that only a few years ago were only present in some very fine cameras, if not professional, and even today are rare:

  • easily selectable metering mode (zonal, center-weighted, spot);
  • optional vertical viewfinder (just like a Rolleiflex), just by tilting the display;
  • accepting a huge range of fine lenses (Contax, Nikon, Canon, Leica, Sony Zeiss!), by means of common adapters;
  • the viewfinder shows 100% of the final image;
  • depth of focus preview (a dedicated button is not even necessary: the display always shows a stopped-down through-the-lens image, with corrected brightness for easy viewing).

For street photography, the NEX is even better of Leica Ms, being absolutely non-obtrusive.

I like my NEX!


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Facade

Dream Oasis, hairdresser for ladies, photographed mid-2010 in Durham.

That’s how businesses are like in England. They take great care of design (brochures, website, logos, graphics). As far as the content… cutting hair, anybody? Service, commitment to a profession? Knowing what is being done? Looking good, looking bad? A hair-style is not a typeface, alas.

Bronica SQ-A, PS 80/2.8

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Self-portrait with pets

Darkness, snow, cold. This is the result.

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